Narcisa Hirsch Movies

A video letter that Hirsch made for Hans Hurch after attending the 2012 Viennale

An interpretation in images of the texts of Rumi, 13th century Sufi poet. Registering a simultaneous projection RUMI live in two different formats...

Marabunta, a ceremony in collective anthropophagy involving a six-meter skeleton completely covered in fruit and food, inside of which were live...

The transformation of an image. A woman suddenly transfigured breast and cut, like the Amazon, making new weapons: the bow and arrow.

Narcisa Hirsch was born on 16 January under the sign of Capricom. These diaries labelled Capricorn 78 show an approach to everyday life with unusual...

Over the course of one year, Narcisa Hirsch left a super 8 camera on a tripod in a paddock near her house in the Patagonia. When she was away, she...

Many stars, only at night, illuminate the vast. Aigokeros is the Greek name for Capricorn, the sign of the zodiac, which is half goat and half fish...

The reeds lean over the water. There is no nostalgia. A letter filmed for Rafael Maino in 1984 with stories of the filmmaker as a memoir of a...

Half a ton of explosives demolishes in front of thirty thousand people the building complex that served as a shelter in the Buenos Aires neighborhood...

During the 1980s, Hirsch made a series of documentary films about various events in the city, like the appropriation of a monument in PICHÓN...

This film is the testimony of men speaking to their own image. Each man, alone in a dark space, speaks to himself while watching his own projection....

A Super 8 film by Narcisa Hirsch

In Aída (1976), a Super 8 camera captures ballerina Aída Laib dancing vigorously in Hirsch’s atelier to the sounds of Nina...

A young couple, locked in a room quietly relates, as she recalls her life from birth until the arrival of first love.

A film about lights and shadows.

Narcisa Hirsch (Berlin, 1928), a pioneer of experimental cinema in Argentina, produced continuously in various media since the 60s. In the beginning,...

But in Rafael in Rio (1977), the stability between the voice and the images drifts, as well as their relationship. What we see is Maino diving into...

The Super 8mm film “Muñecos” (1972) — shot by the artist, Leopoldo Maler and Carolee Schneemann — combines recordings...