Saul Levine Movies

Two portraits, of Lowe and McKenna, respectively. According to Levine, he was “desperately in love” with both of them.

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

Director of the Film-makers Coop, M.M. Serra, recollects her morning on September 11, 2001. The Coop is a few blocks from the New York Worlds Trade...

Notes on chance, readymades, and time. Shot at Massart graduation 1997 and Boston 4th of July97. Some of the people appearing are Barbara Bosworth,...

This film was shot right before Dwayne's stopped processing Kodachrome, and the last time I shot Kodachrome for a LIGHT LICK. It was right after...

Workers and customers at a coffee bar in a winter twilight. S8mm, b&w/si

Pedestrian reflections on ecstasy and vision.

The third theme of the series: A Few Tunes Going Out. A collection of songs, stories, scattered and interchangeable conversations during the Memorial...

One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I...

Wild flowers, morning glories, an urban jungle an eden for a petite Tyger.

Stan Brakhage with a movie camera. Winter seascapes.

Portrait of artist T.J Donovan, as he recounts dreams about his grandfather. A nostalgia for films where cigarette smoke was the protagonist.

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

Adrianne Jorge, filmmaker, projectionist and chief of TVEYE VIDEO and I drive around Boston in 2008 talking about the changes in Boston and her work...

Joe Gibbons takes us on a tour of his past in Boston reflecting on the places he lived and worked in, including bars and bookstores he frequented....

A stark portrait of my father at daily morning prayers to which I respond, AMEN. Light Licks are a series of films I began in 1999. The films are...

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...