David Gatten Movies

10 minutes, color, silent, 16mm

Close your eyes. Take a deep breath. Concentrate your attention. What Question will you ask? The Matter Propounded... makes use of an early...

Suggestion is the rock, and the physical evidence is the evanescent spray that breaks against the unseen. Transitive enharmonics of things touching...

SHRIMP BOAT LOG, the first reel of the ongoing CONTINUOUS QUANTITIES series, contains 300 shots, 29 frames each, alternating between a notebook...

From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a...

"This chapter of my ongoing exploration of the Byrd library finds its name and shape within a single volume from that collection: Athanasius...

“A single piece of paper, a second stab at suture, a story three times over, a frame for every mile. With words by Charles Darwin. A...

A closely watched candle and an invitation to the dance. William Byrd booms among his books while Evelyn keeps to a quiet window; the volunteer fire...

A limited-run performance of songs written by David Lynch and Chrystabell, with Chrystabell performing the material to tracks of David’s...

We search for focus, the evidence is thin, but like breath on a mirror it speaks of life and provides a compass for the way home.

“A companion of sorts to WHAT THE WATER SAID. An attempt to assess the potentials, possibilities and pitfalls of finding meaning in – or...

Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST (2010), was composed as an epithalamium, or matrimonial poem, for Erin Espelie....

Four uncut camera rolls, unspooled intermittently across thirteen years. One is a portrait of a friend, another is of a particular plant, the third...

JOURNAL AND REMARKS, the second reel of the ongoing Continuous Quantities series, contains 700 shots, 29 frames each, shuttling between the 1839...

Continuation of the "Today!" collaboration between David Gatten and Jessie Stead.

Strips of previously unexposed film went into the ocean and these fragments are what returned. In this final installment of a nine year project...

"Linked together by the texturality of forgotten objects and frayed (or physically manipulated) imprinted text images, the film represents a thematic...